STORMY TEMPEST FOUR: TIME GROWS SHORT!

The following is artwork for the last in a series of 4 short (10 page)  stories written by Len Strazewski, and penciled by me for AC Comics Stormy Tempest character. Stormy was created by Bill Black had been appearing in Femforce as a character from the future who was sent back in time to assassinate a U.S. Presidential candidate. She was captured and sent to prison, then escaped only to end up working as a stripper in a gentleman's club in Vegas. As the tale progressed her antagonist became her former best friend from the future. In this story, we see the aftermath of Stormy's battle with her friend, meet an investigative reporter (loosely based on Newsarama's Jill Pantozzi) and a police detective with his own secret to hide. Unfortunately for writer Len Strazewski and I, this was the last Stormy Tempest feature we would work on, because of a change in editorial direction. I was also in the middle of drawing Moonstone's The Saint and Zenescope's 1000 Ways To Die when the script for this arrived. Because of this I ended up keeping the pencils looser than I would have preferred, especially for the last half. This story was published in Femforce #158 (2012).

2012 IN REVIEW

Happy New Year! Since we are at the beginning of 2013, I thought it would be fitting to look back at  2012. Here's what I was up to.

The bulk of my work last year was for Bluewater's Victoria's Secret Service. The issues haven't been published yet, so I can't really show full pages. However, here are some of my favorite panels:

In addition to the interior pages, the covers were also completed, inked by Andrew Pepoy and beautifully colored by Jason Millet :

Also in 2012, the finishing touches were done on Moonstone's The Saint story with inks done by Barbara Kaalberg:

In November, I penciled a story for AC Comics featuring the character Tara:

The Tara story will be published in Femforce #162, out in February.

Last but not least, I got to flex some different muscles muscles by doing some "flats" for colorist Kate Finnegan. Kate was coloring a book called "St. Frances School For Zombies":

2013 is starting out busy. I'm currently working on a World War II story written by Erica Schultz, and will be doing more work on Len Strazewski's corporate super hero story. Stay tuned...

2012 HOLIDAY CARD

Here is the finished art for 2012's Christmas card. Happy Holidays everyone!

LARSON FAMILY CHRISTMAS

When I was a kid, Christmas was a very special time. Not only because the food, presents, and cartoons that were coming along with the holiday, but because of the things we, as a family,  only got to see once a year and the new things that would be added to our tradition.

Raymond Larson circa. 1980. If you look closely, you can
see a couple of the miniature houses he built under the tree

I had spoken in a previous entry about my Dad,  Raymond Larson,  and how creative he was. Christmas time was when that creativity seemed to shine the brightest. He had produced special decorations that were exclusive to us. From paintings to ornaments to miniatures, we were surrounded by things that could not be found anywhere else:

This painting was done when he was still a student
at American Academy Of Art  in 1948.

This was created in 1973 out of Styrofoam and illustration board. 

Poppy also used to create miniature houses and buildings  from
scratch. Though around all year, they usually became part of the old railroad
train set that came out at Christmas time.

In addition to the decorations, Poppy also made his own Christmas cards. He was doing them all by hand ( unlike the ones I make and digitally print out- this was before computers) so only made a couple each year.

Because not many cards were produced, I have no examples. However,
here are his plans for one of the yearly cards.

Lastly, and most special to us kids were the toys that he created. Ray Larson took time and built toys for his children and grandchildren. Sometimes he did it because there was something that one of us wanted that wasn't available. Other times, he did it because he saw what the toy companies were producing and felt that he could do a better job. The end result of this was that we received unique, one-of-a-kind toys that were literally made only for us. This made these toys a million times more special than anything that ever could have been bought in a store.

These are the plans for one of his earliest creations - a puppet
theater for the kids

My brother Erik, Me, and my nephew Joey doing a puppet play ( circa. 1975)

In the 1980's,  G.I. Joe action figures had various forts and vehicles.
My nephew Joey had a collection of the figures and wanted a fort ( shown here
from an advertisement). His Grandpa ( my Dad) saw the toy in the store and decided
that he could make one himself...

He created the fort out of illustration board, dowel rods, and styrofoam.
The end result was a more durable and realistic toy than was mass produced by the toy company.

This Star Wars snow fort was put together by someone
at Women's Day magazine, which Grandma Larson had
lying around the house. Poppy saw it and decided that
the kids would really like one. He ended up building two of
them - one for Joey than another for my brother Erik and I.

30 years later and this creation is still mind blowing to me...

The effort that was put into these creations was amazing. The result of all of this is that Ray Larson gave us all something special. It wasn't just the unique gifts, but the memories that we will always carry with us. There is no better Christmas present than that.

DEVELOPMENT OF 2012 CHRISTMAS CARD PART 2

In a previous blog I showed the preparation I did for this year's holiday card. Every year I draw my own cards with different variations. I wanted to do something a little different.

As with all artwork I do, I start with a pencil sketch. This pencil is always a little rougher than my finished comic book pencils are:

So this year, instead of doing a traditional painting, I decided I wanted to "paint" the card digitally. This process starts by adding the basic colors just like in a painting that's done by hand:

After this I started adding details. Because this was something new, it took me a while to get a feel for what I was doing. Eventually, things clicked and I was able to render a good face:

Once that was done, the rest fell into place pretty quickly:

After the faces were nailed down I began to concentrate of the smaller details:

So how did the finished product come out? The finished card will be shown in a future post closer to the holiday.

FIRST LOOK AT VICTORIA'S SECRET SERVICE

The first 5 pages of issue #1 of Victoria's Secret Service have been posted on my Facebook page. These pages, beautifully colored by Michael Coppolecchia, will be appearing in the soon to be released first issue, on sale soon. Victoria's Secret Service will by Published by Bluewater Productions.  To take a look, please go HERE.